The Finns Saara Turunen itself writes plays and directing them. They are the National Drama Theatre

The Finns Saara Turunen itself writes plays and directing them. They are the National Drama Theatre, they strayed play "Broken Heart Story" (Broken Heart Story) - a woman is inherently analysis described remake hamletiškosios phrases - to be subject or object? The main protagonist - a nameless versace woman yearns to be a writer, but her soul - the exact opposite. That's how naïve blonde bright versace red dress, yearns for love - just like Julia Roberts in the movie "Pretty Woman." versace Meanwhile, writers, prisiklijavusiai mustache (because, as she jokingly MESTELAN, mustache more successful), it is important to write about the death of communism and the two, according to her, the most important topics. No wonder, then, that the two opposites in one person do not connect in any way.
The performance of the main character embodies two actresses: versace Kate plays a mustachioed writer Samuolyte its soul - Toma Vaškevičiūtė. Versions of the main characters versace not only visions of life, but also visually - complete opposites: male dressed in a tiny writer, and that's soul - in high heels, bright red lipstick, high leggy. This visual confrontation - how exaggerated and stereotypical. Total play time as a writer, as well as the soul is not just about anything: their personality - shows the superficial plakatiškos. Soul only maivosi, apsitempusi short garment, it is true, however, it faced a prostitute in the film 'Pretty Woman' fate: she was traveling pakliūna pimp lap, then pulls her dream man, played by Paul Tamolos. The writer just nervously throwing motion leaves or abnormal process of introducing versace parents apšnerkšto versace apartment site. Read more about the character's go nothing to say about myself because it does not say anything more.
The stage does not have anything to do other good actors: the father of the main character plays Dainius Gavenonis, motiną- Rimantė Valiukaitė, Cat - Miglė Polikevičiūtė. Therefore Valiukaitė, as appropriate philistine, just sucks sofa Gavenonis repeats a phrase, it is very important that a person be successful and elegant spruce Tamolos roam around the stage. Sometimes they have also become storytellers or just ourselves, for example. Tamolos versace Gavenonis to talk about the new theater Dyrikai machine.
And that's about Saara Turunen versace theatrical language, in contrast to the characters they play, you can tell a lot. Conducted through the performance space (keeping in mind that the piece is shown in the small theater hall) quite difficult. Scene created several plans: versace the viewer has to follow, and what says a major player, as well as extending at times to listen to storytellers language, or watch the video projection versace on the wall, behind which lies in another area. It is not surprising that sometimes it becomes difficult to keep track of action based solely on the technical solution, which plans overshadowing each other.
In addition, Turunen has nothing against the use of a lot of kitsch: the scene loaded with artificial flowers used ketchup instead of blood - to him tepliojamą on the glass, quite embarrassing to watch together - boring. The performance of many references to pop culture characters, religious images are processed. Action versace is intense, colorful, and easy to sail smoothly pamėtant jokes. There are some good scenes, the viewer may smile, and according to tradition brechtiškąją included in the action of the performance. However, the performance still remains entirely entertaining, empty, reveals nothing. Maybe you can try to justify the fact that the supposedly public, the director wanted to portray Turunen, is that what it shows - superficial. But both handled and shouting theatrical language, both mundane and play - women bed or career - provide the justification for such a misfire.
16 May 2014 20:15
unfortunately dominated not play his review and his "qualitative" state, and the author's emotions or ideological position. versace This postmodern spectacle, one of the features and characteristics of the surfaces (the characters, action, koncepcyjos terms); as well as visual, sophisticated form of citation (quoted here not only Shakespeare, but d.lynch'as, versace kieslowski's) game with kitsch. also, I think, that both barricades and democracy in the context of the play appears versace to be quite a successful.
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